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Our Top Record of the Year: The Artist's Lux Takes the Top Spot.

On the surface, this work might appear more like a difficult academic quiz rather than the latest pop album by a musician whose previous single was a collaboration with a global pop star. Split across 4 separate movements and performed in thirteen languages, it is a dizzying classical-tinged opus that delves into female mystery, religious ascent, and bodily change, often by way of the perspective of various saintly figures. The dissolution of a romance—a theme treated with raw openness elsewhere—is shot skyward here, carried by the lush sound of a major orchestra and contributions from an award-winning composer among a vast roll call of contributors. Its sheer audacity alone makes the efforts of other pop stars look rather modest.

Rising Above Scholarly Exercise

The fact that Lux manages to avoid dry academic posturing feels almost a miracle, and complete credit going to the artist. While this is not her first album to fuse historical sounds with the present, the ambitions feel much higher here, with the tightrope walk more precarious. What truly raises her fourth release, outside of its complex tunes, dense arrangements, and engrained theatricality, is an essential spirit of playfulness. Similar to the iconic Björk during her peak, you find a wondrous quality to Rosalía's singing which sweeps you into its whirlwind. Even when she's breaking hearts in two, the listener nevertheless want to stay alongside her through the ride.

A Signature Moment of Exuberance

That exuberant energy comes forth clearly on a stirring Italian ballad inspired by Saint Clare. It luxuriates in a string-drenched melancholy for more than four minutes. Then, everything drops silent, to reveal there's a gleeful giggle followed by a comment prior to a hilariously over-the-top string crescendo crashes in like comedic force. The track immediately shifts into the wild single featuring galloping strings, an imposing choral group, and a cameo appearance from the artist herself.

"The magic with this album is that the listener never quite know—or even wish to predict—where it will go to next."

Nearly each song concludes in a completely different place from how it began. A track examines the fleeting nature of celebrity with a featherlight symphony only to disintegrating into electronic cacophony. Another, a song echoing the artist's earlier rhythmic work begins off dark and brooding, featuring menacing beats, until sudden flamenco rhythms and a heavenly chorus arrive to soften the song's rough corners.

The Balance Of Art & Pop

A key balancing act on the album is straddling the gap between bold experimentation and broad accessibility. This is little coincidence that the album has achieved the artist's highest-charting release to break into the Top 5 of key charts: its heart contains a collection of truly undeniable hits. One track sung primarily in the English language builds around a chorus that seems to gather more and more infectious melodies as it spirals skyward. That trick is echoed by another powerful ballad that grows and contracts, weaving layered tunes as a complex tapestry.

  • A dance-infused song seduces via its jaunty, Disney-adjacent drama and an anthemic chorus.
  • Lyrically, it aligns the cultural impact of other heartbreak anthems, lambasting an ex- lover labeled an "emotional terrorist".
  • Across these tracks, the singing have a sharp edge, like a fairy-tale character hiding a blade: "Top prize in acting like a motherfucker / You have won the trophy of disappointment."

An Opulent Banquet for the Soul

Lux represents pop on a grand scale, an ambitious reach for capital-A Art amid of looming artificial sameness. It rejects solipsism for glorious transcendence, crafting a dramatic drama that skillfully manages its own built-in ridiculousness. This is a deep well of buried gems that takes patience to completely explore but doesn't seem like a chore. Where some major pop albums of 2025 seemed like a meager scraps, Lux offers a lavish feast at which the guests around the table, perhaps tipsy on sacred wine, flit from conversations about historical figures, the profound feeling of soul-shattering grief, and common stories about useless partners. It is a modern-day musical from pop's most endlessly inventive visionary.

DS
The writer

Danielle Stewart

Maya Chen is a cultural journalist and urban explorer who captures the vibrancy of city life through her lens and words.

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