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Soft Cell's Musical Force Dave Ball Passes Away, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) established Soft Cell alongside Marc Almond in Leeds during 1977

Dave Ball, a key member of the groundbreaking 1980s electronic music band Soft Cell, has died at the age of 66.

Together with vocalist Marc Almond, the duo scored a global success with their cover of Gloria Jones' the classic track Tainted Love in 1984, and their debut album their initial full-length release is considered a seminal work of synth-pop.

He later formed the innovative techno group The Grid, who achieved chart success with 1994's the hit Swamp Thing.

Ball passed away calmly in his rest at his residence in London on Wednesday 22 October, just weeks after playing a featured performance with Soft Cell at the Rewind Festival in Henley-on-Thames.

Health Struggles

During that show, Ball appeared in a mobility chair, as he had for the previous couple of years, following a spate of health issues.

"I ended up injure myself significantly," he stated in a recent interview. "I fractured spinal bones in my back and fractured about multiple ribs and fractured my arm."

After catching pneumonia and suffering from blood poisoning, he was put in an medically-induced sleep and remained in hospital for half a year.

Nevertheless, he had been in "high spirits mentally" over the summer, as he worked on a new album with Almond, titled the upcoming Danceteria, which is set for release next year.

"He was concentrated and so happy with the new album that we actually completed only a short time ago," stated the singer in a tribute.
"It's so sad as next year was all set to be such an uplifting year for him, and I take some solace from the knowledge that he heard the finished record and believed that it was a great piece of work."
Soft Cell performing in the early 1980s
The band were at the vanguard of the electronic music scene in the beginning of the decade

Tributes

Almond referred to his collaborator as "an exceptionally talented creative mastermind", adding: "He was the core essence of Soft Cell and I'm extremely pleased of our legacy.

"Thank you Dave for being an significant part of my existence and for the music you gave me. I wouldn't be where I am without your influence."

His Grid bandmate from The Grid, also paid tribute, recalling Ball's "constant humor" and "unwavering friendship".

"Being in a duo with someone is distinct from being in a band, the bond is very tight," he added.
"That's how it was with us. We experienced so many remarkable, incredible, life-affirming experiences together. Thank you, Dave."
Dave Ball in 2018
Dave Ball, pictured at BBC Radio 2 in 2018

Early Life

Brought into the world into a single-parent household in the city of Chester in 1959, Ball was given up for adoption when he was 18 months of age.

He grew up in Blackpool with his new family his caregivers, who altered his first name from his birth name to his adopted name, together with his sibling his sister, who was similarly welcomed.

He encountered Almond at an art college in the late 70s, where they were both studying fine arts. Inspired by a mutual passion of a music genre, they formed Soft Cell the same year, and promptly recorded an extended play.

Creative Collaboration

The pair were an distinctive pairing: Ball was the quiet musician, hunched over his synthesizer, while Almond was a charismatic showman, all glitter and eye-liner; but they attained a unique creative synergy.

Ball had cultivated a fascination with electronic instruments after watching the band Kraftwerk perform on BBC science show a popular series, and started to combine moody electronic sounds to the catchy tunes Almond was composing.

Their signature song became the UK's second biggest-selling song of the early 80s, selling millions of copies worldwide. Together with successful tracks by Gary Numan, contemporary bands and electronic acts, it helped cleared the path for the electronic music style of the 80s.

The track was also included on their full-length debut, Non-Stop Erotic Cabaret, which spawned two additional high-charting hits: Bedsitter and Say Hello, Wave Goodbye.

They continued the album up with the stand-alone single, Torch, which reached at the second position in the following year.

Soft Cell in the studio
The pair were developing new material right up until Ball's death

Career Highlights

Success had its upsides. "I loved being able to purchase my first home, having financial security and exploring, which makes me sound like a Miss World," Ball not long ago shared with a music magazine.

But it also caused challenges. "Sudden riches meant we could afford substances to alleviate the monotony" of press appearances and television shows, Ball said.

"I know that's a common saying, but it's a cliché for a good reason, because it applies for so many bands."

Amidst the hedonistic lifestyle, the duo were also drifting apart, but they succeeded to create a second memorable record - the unconventional, tense and aptly-titled The Art Of Falling Apart.

They released another album, their 1984 release This Last Night In Sodom, before dissolving the band to concentrate on individual endeavors.

Almond proceeded to have a successful solo career, including the chart-topping single Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed acid house with ambient pop over a long-lasting collaboration.

Reunions and Final Projects

Soft Cell reunited in 2001, producing the charting record Cruelty Without Beauty.

After another break, they reappeared in 2018, releasing the new tracks Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a farewell show at the O2 Arena on September 30, that year.

Yet, they stayed together, creating their fifth album, Happiness Not Included, during the 2020 restrictions.

Ball lately characterized the band's upcoming release as a tribute to the New York club scene they visited while recording their initial records.

He added that his time in medical care had influenced the band's sound.

"I had strange recollections when I was in and out of hospital because I was on pain medication," he told a publication.
"The new songs are a electronic representation of the sounds in my head from those days.
"In parallel, it's about the times me and Marc got up to in the 1980s."

The last versions were completed only days before Ball passed away. It is due for release in the spring of 2026.

DS
The writer

Danielle Stewart

Maya Chen is a cultural journalist and urban explorer who captures the vibrancy of city life through her lens and words.

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